muf have been appointed to lead the design team on a major project to revitalise and restore Brixton Rec Quarter. The team is currently engaging with stakeholders, users and the public on how to improve the experience of Brixton Station Road market and the Rec’s shops and public spaces, as well as the creation of a new workspace.
Eastway Sports Hub, a sports pavilion and pitch designed by muf for Young Hackney has received planning permission and is soon to go on site in Hackney Wick.
The brief for the hub was inspired by the research led by Hackney Quest which asked where young people could see themselves in the dramatic plans for development, work which was further developed with both the staff of Young Hackney and their Youth Ambassador team through workshops, meetings and presentations. Post lockdown, workshops became digital, exploring how the new building might be used and including how the young people would like to be represented, by things they chose to carry not stock CGIs. The project is funded by GLA’s Good Growth By Design & LLDC CIL Fund.
“What Muf has been arguing for all these years can be difficult to define, let alone defend: the value of complexity in a commodified society in which all things must be measured…Their advocacy for the benefits of public space is critical in an increasingly unequal city, a message that is both profoundly political and utterly necessary. The group is making space for the city to be able to hold on to its humanity, without which it is no longer a city.” Twenty five years of muf celebrated with an interview with Katherine and Liza in the FT by Edwin Heathcote.
Ruskin Square and Kings Crescent are both used as examples of successful, inclusive and sustainable places in Designing a City for all For all Londoners, part of Good Growth by Design – the Mayor of London’s programme to enhance the design of the city.
New year, new reading material. muf features in two books: Building Critique, a collection of essays from Spector Books and Spatial Practices: Modes of Action and Engagement with the City, edited by Melanie Dodd and published by Routledge; and the Observer’s Design Magazine in a feature on children’s museums by Bethan Ryder.
Planning has been approved for phases 3 and 4 of Kings Crescent Estate. muf are working on the project with Karakusevic Carson Architects and Henley Halebrown.
Thank you to Marcus Field for putting muf on the Evening Standard’s Progress 1000 list of the year’s most influential Londoners. Very nice to be one of the twenty-two entries on the architecture list, and among some fine company.
Everyday Extra Time: muf are taking part in the Sao Paulo Architecture Biennale. Our starting point is the laundry room of Lina Bo Bardi’s Casa de Vidro. Generous in its layout, luxurious in experience, with somewhere to sit and drink coffee, looking into the garden, bigger than necessary – but still the laundry room. With all the labour which comes with that. For the duration of the biennale we will be making extra time, as it is true we tend to do, for the everyday spaces in our projects – the bin stores, the park benches, the service spaces, the W.C.s .
muf’s contribution to the RA’s What is radical today? architecture exhibition is on display now until 7th November, entry is free of charge.
We were honoured to invited by The Vacuum Cleaner to work on Oh my GOSH you’re Wellcome…. Kitten for the Wellcome Collection’s new Being Human gallery – the finished installation is now on free permanent display.
My Model City, an exhibition created by young people from Peckham Platform and the Horniman Museum with muf is open now at the Horniman. It explores the gap between our everyday experiences and the city of our imagination, and asks how we might begin to close that gap by visualising new cities and different ways of living.
Chobham Manor has been awarded the Mayor’s Prize at the New London Architecture awards. muf with J&L Gibbons were part of the masterplan from the start, developed planning & although we were not retained to build it out we are pleased that the key principles of generous shared tenure blind green playable spaces survived. Illustration – muf 2014, Photograph – post occupancy 2018
Beating the Bounds in Wood Green – a project with Collage Arts, Haringey, muf and the young people of Wood Green to explore the social life of the street.
Marian Court in Hackney, a collaboration between muf and Adam Khan Architects, has been nominated for a Housing Design Award 2019. It also features in the NLA’s Public Housing: a London Renaissance exhibition, alongside Tower Court – open now until 18th July.
If research is working your way out of the situation you find yourself in – and your research is unsolicited by your client, you need distraction techniques or clients with nerves of steel. Join Liza, muf now and then, and some clients on Monday 8th at the Royal Academy. Send us an email (email@example.com) if you are broke but want to come.
Liza is speaking at the Stockholm furniture fair with Helena Bjarnegård, Lasse Åberg and Gert Wingårdh… and soft market testing the muf public furniture catalogue.
Trenchard Street, Bristol was photographed by Martina Ferrera.
Perfume, an exhibition opened at Somerset House. Designed by muf,led by the brilliant Marie Price (her parting shot after 2 years at muf) and Julia (graphic design ++).
Now the fieldwork is complete, Liza Fior, muf, marks the end of the 12 months embedded residency exploring V&A, East . This was a residency with a shifting status from governess to eavesdropper to finally understanding the local dialect and the importance of an object for any exchange. Fieldwork concluded, muf proposed a new object for acquisition. To be shared later this year.
RIBA Social Housing Exhibition Two muf housing public realm projects, Tower Court designed with Adam Kahn Architects and King’s Crescent Estate with Karakusevic Carson Architects, are part of the exhibition and associated publication.
“What is it good for?” Dalston Eastern Curve Garden muf helped to develop an “Index of Value” for the garden in association with J&L Gibbons and Marie and Brian at the Eastern Curve Garden
Tate Lates: “What I see. What I know.” When the Turbine Hall was first designed it was called a street. muf architecture/art turned the Boiler House into a mini observatory of the Turbine Hall for a night.
Art Commission, Trumpington, photograph by Roger Northfield who came across it and sent us this picture. “The idea of the mosaic is as if the ground has been cut away to reveal the layers of the past beneath from the prehistory of a shallow sea through the Saxon times to the Plant Breeding station and up to the present day, so motifs and artefacts from a range of historical periods are brought together as the objects that might be placed in the grave of a contemporary girl of the age the saxon body was assesed to be. The setting was an attempt to make something that is ‘discovered’ so each person who comes across it can have that sense of puzzling what it is – rather than everything being explained and so take away the idea that perhaps there is more mystery in the landscape to be found.” muf December 2016
Wonderlab, the new immersive gallery at The Science Museum, launches. An interactive and immersive experience of scientific exploration. muf has designed the gallery and much of its contents in collaboration with the Science Museum, crafts people, artists, contractors, engineers, lighting designers, graphic designers, cost consultants and project managers, including: Siobhan Liddell, Felix de Pass, Luke Jones, Michael Grubb, Arnout Visser, Will Yates Johnson, Swedish design practice Front, graphic design practice Objectif, furniture makers Benchmark, interior designers Paragon, engineers Arup, Ramboll, Lendlease & Gardiner and Theobald. Guardian review: https://www.theguardian.com/artanddesign/2016/oct/09/wonderlab-science-museum-cabinet-gallery-vauxhall-pleasure-gardens-review Disegno review: https://www.disegnodaily.com/article/designing-public-space Wallpaper review: http://www.wallpaper.com/architecture/the-wonderlab-opens-at-science-museum-in-london
Barking Town Square: European Prize for Public Space 2008 and a Specsavers ad https://www.youtube.com/watch?v=lVaIJEPOPmQ
Bedlam the Asylum and Beyond opened at the Welcome Trust, designed by muf with Martin McGrat . Learn more from Mike Jay one of the curators: https://www.theguardian.com/commentisfree/2016/sep/19/bedlam-can-be-a-place-of-sanctuary-again
Open School East, New Producers exhibition 29.06.16; furniture from locally procured carpet tubes made during day long muf workshop. New Producers is a two-week long Bronze Arts Award programme set up for 16 to 18 year old students to learn a range of practical and professional skills around the production of cultural activities and events: from the original idea, to making, to producing, marketing and distributing. The group worked alongside fourteen emerging artists at Open School East, and received training from creative professionals, including muf.
muf’s new interactive gallery at the Science Museum was launched to the press – opening in October. (Image above – prototyping exhibits with Toby Parkin, Science Museum, and Sofia Lagerkvist, Front / Wright of Derby.)
The next phase of Ruskin Square is on site, due to complete in the Autumn.
muf are looking for a post Part-II/Part-III who is both idealistic and pragmatic and can move from the detail to the strategic and back again. Experienced in working in the UK and fluent in English, ideally with experience in public realm work. We are based in Mare Street, London E8, and have a proven track record in offering meaningful, flexible working. Please email firstname.lastname@example.org with a short digital CV and no more than 150 words on why you want to work at muf, and 100 words on your response to a muf built project.
The Festival of Toil and the Dinner Debate is the action research process to establish the art strategy for the Ruskin Square development.
The Festival and Debate, commisioned by Stanhope Schroders, explores what form a contemporary art work for Ruskin Square might take in response to the propositions of the nineteenth century artist, critic and social entrepreneur John Ruskin, after whom this development is named and who once lived in Croydon.
Ruskin believed in the value of communal endeavour and artisan labour as a model of social and cultural equity. How this is relevant today was tested by a production process and debated by the dinner guests, who bring local and international expertise from their fields in the public and private sector, from the social, cultural and economic structures of global capitalism to ‘not for profit’ organisations and individuals.